24/192 Music Downloads are Very Silly Indeed →

There are no "stair-steps" in digital audio →

A Sound-Quality Glossary Bruce Bartlett | Audio Undone →

How to use Multiband Compression « Audio Geek Zine →

"One way to synthesize stereo is to apply complementary comb filters, so response peaks on the left are nulls on the right and vice versa. That is, 200 Hz comes from the left side but not the right, 400 Hz comes from the right but not the left, and so forth."

mda stereo (how to comb filtering) - Gearslutz.com

"You want to work with sounds that heighten your sensitivity, that allow filters in your mind to open up. You don’t want people to close down and be grouping conceptually and categorising on a semantic level. It’s like the opposite of information overload: you have little density of change, slow change, minimal change, and then the ear becomes more and more sensitive to subtler and subtler things.”
—Laurie Speigel quoted from a great article in THE WIRE 344"

Slow Change | Music of Sound

Enhancing Stereo →

"Here’s the reality of doing any kind of processing on your mix buss: you’re little moves add up big time. If you make a 1db boost with an EQ on your master fader in a session with 40 tracks, you are in essence applying that 1db frequency boost 40 times and in 40 different ways! Think about it, every track in your mix eventually dumps into your mix buss, so any processing you do on the mix buss is multiplied across all of your tracks, for better or for worse."

Go Easy On The Mix Buss » The Recording Revolution

Mixing Audio: The Out-of-Speakers Trick By Roey Izhaki | Audio Undone →

Dither or distortion ? Listen and decide for yourself →

Why mastering is so delicate | Kim Lajoie's blog →

Why Gain Matching Is Critical » The Recording Revolution →

Hum Prevention By Bruce Bartlett | Audio Undone →

Don’t make music. Make experiences. | Kim Lajoie's blog →

Using EQ when mixing - analysis of each EQ band →